Overview
- Hindustani Vocal music is the classical music of Northern India. Shankar Mahadevan Academy provides the unique opportunity for students everywhere to learn Hindustani Vocal music from the convenience of their own home through a highly structured curriculum, a clear path for progression, and certifications for completion. Level Certificates are given to students at each of seven levels: Sa, Re, Ga, Ma, Pa, Dha and Ni. Each level requires the student to complete the courses listed under it and pass the level exam. Students who are new to the Academy start with the first course in each of the levels, depending on prior experience. Entry into any level will require new students to take and pass the assessment for the prior level.
Hindustani Vocal for Children 100A
Prerequisites:
The minimum age for this course is 6 years completed. This course is best suited for children from 6 years to 9 years of age.
Overview:
The HV100 series of courses for children are designed to introduce young children to Hindustani Music. These courses provide a foundation for young children to enjoy and appreciate Indian music. The lessons introduce the children to the fundamentals…
Topics covered:
- Prayer – Ganesh Vandana
- Swaras
- Shlokas
- Chidiya Chali
- Hua Savera
The student has completed HV100A at the academy OR
The child has learnt music, sings seven Shuddh Swaras in Swar and Aakar. The child is able to sing repetitive Alankar patterns and simple Alankar patterns (in rhythms of 2 and 3). The child is able to sing a prayer and a Hindi song(non film) in Sur and Taal. The admission in this case would be done as per the advise of experts at the academy.
This course is best suited for children of 6 years to 9 years of age
Overview:
In this course HV100B, Shuddh Swar Saptak is reinforced with the song “Sa se Savan”. The mellifluous Bengali song introduces the rhythm of three. The child gets the exposure for singing with the Electronic Tanpura OR Tanpura app. There i…
Topics covered:
- Swaras
- Know your instruments
- Sa Se Sawan
- Gopala Gopala
- Rim Jhim Rim Jhim Pani Barasa
- Phoole Phoole
Hindustani Vocal for Children 100C
The student has completed HV100B at the academy OR
The child has learnt music, sings seven Shuddh Swaras in Swar and Aakar. The child is able to sing repetitive Alankar patterns and simple Alankar patterns.
The child is able to sing a prayer and 2 Hindi songs (non film) in Sur and Taal. The admission in this case would be done as per the advise of experts at the academy.
This course is best suited for children of 6.5 years to 10 years of age
Overview:
This is the third of the 4 courses designed to introduce young children to Hindustani Music. Know the names of the seven Swaras with a beautiful song “Ek Saptak mein’! This course includes a Sargam Geet/Swarmalika. This composition…
Topics covered:
- Vishwadhaara Vinayaka
- Ek Saptak mein
- Sargam Geet/Swar Malika
- Chidiya Chali- Review
- Swara Patterns – Alankar
The student has completed HV100C at the academy OR
The child sings seven Shuddh Swaras in Swar and Aakar. The child is able to sing repetitive Alankar patterns and simple Alankar patterns (in rhythms of 2,3,4)
The child is able to sing a prayer and 3 Hindi songs (non film) in Sur and Taal. The admission in this case would be done as per the advise of experts at the academy.
This course is suitable for chidren from age of about 7 years to any age
Overview:
This is one among the courses designed to introduce young children to Hindustani Music. This course includes a melodious Saraswati Vandana, and two Bhajans. Kheti Karo is a Bhajan by saint poet Kabir. The student reviews the songs learnt earlier.&nb…
Topics covered:
- Saraswati Vandana
- Kheti Karo
- Hay Jagadrata
- Patti Doli
- Alankars Review
Hindustani Vocal for Children HV100E
The student has completed HV100D at the academy OR
The child sings seven Shuddh Swaras in Swar and Aakar. The child is able to sing repetitive Alankar patterns and simple Alankar patterns (in rhythms of 2,3,4)
The child is able to sing a prayer and 3 Hindi songs (non film) in Sur and Taal. The admission in this case would be done as per the advise of experts at the academy.
This course suited for students of about 7 years to any age.
Overview:
This course is designed for young learners of Hindustani Music. This course includes a Guru Vandana and two Bhajans. Kinare Lagaao is a Bhajan by saint poet Meera and Ehi Mudam is a Bhajan by Sri Narayana Tertha. The student reviews the songs learnt…
Hindustani Vocal 101
The students who are of 7 yrs of age need to have previous learning experience of one year.
It is advisable that children less than age 10 years, who wish to learn Hindustani vocal start from HV100A of HV100 series courses. These are specially designed foundational courses. Children of age 10years or below may be moved to HV100 series of courses.
Interest in music and curiosity to discover the joy of learning are the other prerequisites. There is no upper age limit. Music can be learnt at any age.
Overview:
This course is ideal for students looking to take their first steps into the world of Hindustani Vocal Music. The course aims at providing a strong foundation where learning is a process of constant discovery. The student acquires the ability to use…
Topics covered:
- Prayer
- Swaras And Patterns
- Folk Music
- Swara Sadhana
- Raga
- Chhota Khayal
- Rhythm Patterns And Swara Patterns
- Composition exercises
In order to enrol for level HV102 the students should have completed Hindustani Vocal Beginner 101 from Academy or must demonstrate the ability to sing Shudh Swaras and simple Alankar patterns in different rhythm structures. They must be able to sing a Prayer or a song in Sur and Laya. They need to be able to sing Aaroh Avaroh of Raga Bhupali, Alankar in Raga Bhupali and a Bandish in Raga Bhupali in Sur and Laya.
Overview:
This course reinforces the concepts of Swar Sadhana and patterning of Swaras by the repetitive practice of Alankars. The idea of Swara mapping is introduced to the student by taking up simple songs like Jana gana Mana OR Honge Kamyab. Samooha Gaan o…
Topics covered:
- Swar Sadhana and Swara Patterning
- Samooha gaan- choral songs
- Swara Mapping
- Swaras to Compositions
- Laya and Taal
- Raga
- Raga Bhupali
- Dhrupad
- Raga Durga
Hindustani Vocal 103
Student should have completed HV102 from the academy OR; the student should have the ability to: • Create and sing Alankar patterns in Shuddh Swar Saptak and Ragas Bhupali and Durga • Render Chhota Khayal Bandish with simple Aalap and Taan in Ragas Bhupali and Durga • Create a Sargam Geet
Overview:
The process of identifying Swaras may seem daunting but in reality it can be taught in such a way that the learner can pick up this skill by connecting the right dots. This is what the Beginner Hindustani Vocal 103 enables the learner to do. Differe…
Topics covered:
- Laya and Tala
- Alankar
- Swara Sadhana
- Swara Identification
- Raga
- Raga Durga
- Raga Durga- Jhaptaal
- Raga Durga Chhota Khayal- Teentaal
- Raga Bhupali description
- Composition based on Bhupali-Sngachhadvam/Ai Bhvana
- Raga Exploration
Sa Certification Exam – Hindustani Vocal
The student has completed Hindustani Vocal Beginner 103 course at the academy.
Overview:
The Sa Level Exam summarizes and reinforces HV101, 102 and 103. The initiation into Swar Sadhana has been done at this level. This includes perfection in Shruti, Stability of note, singing with a free voice, practice with different vowel sounds Aaka…
Topics covered:
- Sa Exam Model Question Paper
- Swaras,the Building Blocks of Music
- Laya and Taal
- Tanpura and Tabla
- Raga Bhupali
- Raga Durga
Hindustani Vocal 104
Student needs to complete HV103 at the academy OR the student should demonstrate the ability to sing stable notes perfectly in tune with the Tanpura, to sing Chhota Khayal with self-created Aalap and Taan in Ragas Bhupali and Durga in Taal Teentaal and Jhaptaal, to create a Sargam Geet and present it, to listen to a musical sound and identify Swaras- at least one Swara sung at a time
Overview:
This course, HV104 reinforces concepts of Swar Pehchan or Swara identification by practice of certain exercises. The Swar Sadhana process is unbroken and is enhanced by encouraging the student to create and sing various Swara patterns. The Raga that…
Topics covered:
- Alankar
- Raga characteristics
- Raga Khamaj
- Laya and Dhrupad.
Hindustani Vocal 105
- Student needs to complete HV104 at the academy OR the student should be able to: • Sing stable notes in tune with the Tanpura. • Sing Chhota Khayal with self-created Aalap and Taan in Ragas Bhupali, Durga, Khamaj • demonstrate having learned a Dhrupad
- Create a Sargam Geet and present it • Listen to a musical sound and identify Swaras, at least 2 Swaras at a time • Read notations and do Swara mapping at a basic level.
Overview:
This course includes study of Raga characteristics. Raga Brindavani Sarang, a Raga that points out towards the folk music roots of Ragas is introduced. A Chhota Khayal in this Raga is learned in detail with Aalap, Bol Aalap and Taan. The principles …
Topics covered:
- Mandra Swar Sadhana
- Composing Swar Vistar
- Swar Vistar in Yaman
- Chhota Khayal in Yaman
- Raga characteristics and Lakshan Geet
- Tarana in Khamaj
- Bhajan in Khamaj
- Rhythm in Bhajan
Hindustani Vocal 106
The student needs to complete HV105 from the academy OR the student should be able to:
- Sing stable notes perfectly in tune with the Tanpura
- Sing Swar Vistar with clarity of understanding in the Raga structure
- Sing Chhota Khayal with self-created Aalap and Taan in Bhupali, Durga, Sarang, Khamaj
- Sing a Trivat and a Dhrupad
- Compose a Sargam Geet and a Raga based tune for given lyrics and present them
- Listen to a musical sound and identify Shudh, Komal and Tivra Swaras Read notations and also do Swara mapping at a basic level
Overview:
In this course the creative elements of Chhota Khayal are dealt with a deeper understanding of the Taal. The principles and guidelines to create Swar Vistar are reinforced. Aalap, BolAalap and Taan are practised to perform with confidence within the…
Topics covered:
- Raga Des
- Vande Mataram
- Layakari
- Raga Yaman
- Bhajan iin Raga Khamaj
- Elements of Composition
Hindustani Vocal 107
The student should have completed HV106 from the academy ‘OR’ the student should be able to:
- Create and sing Alankar patterns in Shuddh Swar Saptak and the Raga scales
- Perform Chhota Khayal with self-created Aalap and Taan in at least 4 Ragas
- Explain the Raga Characteristics and sing SwaraVistar in Ragas learnt
- Sing a Tarana in any Raga
- Compose and present a Geet, Swar Maalika and Lakshangeet
- Recite Teentaal, Rupak, Ektaal and Jhaptaal fluently
- Present a Bhajan
Overview:
This course HV107 reinforces the techniques of Swara Sadhana and Swara patterning with the practice of complex or Vakra Swara patterns. The Chhota Khayal in Raga Des is detailed out with development of Aalap and Taan, Bol Aalap gains focus. Raga Kaf…
Topics covered:
- Raga identification
- Raga Des
- Bhajan in Raga Yaman Kalyan
- Raga Kafi
- Time theory of Ragas
- Raga Lakshanas
- Composition of Tarana
Hindustani Vocal 108
The student should have completed HV107 at the academy or the student should be able to:
- Create and sing Alankar patterns in Shuddh Swar Saptak and the Raga scales
- Perform Chhota Khayal with self-created Aalap and Taan in at least 6 Ragas
- Explain the Raga Characteristics and sing Swara Vistar in Ragas learnt
- Sing a Tarana in any Raga
- Compose and present a Geet, Swar Maalika, Tarana and Lakshangeet
- Recite Teentaal, Rupak, Ektaal and Jhaptaal fluently
- Present a Bhajan
- Render a Dhrupad composition with Dugun and Chougun
Overview:
This course HV108 focuses on navigating from one Raga to another with ease. This is done with the practice of a variety of Swara patterns in each Raga and the Swar Vistar. The student creates a composition of a Sargam geet by taking two Ragas. …
Topics covered:
- Raga Alhaiya Bilaval
- Raga Kafi Chhota Khayal
- Taal and Laykari
- Thaat system
- Ragas and Expressions
- Composition of Sargam Geet
Hindustani Vocal 109
The student should have completed HV108 from the academy OR
The student should be able to:
- Perform Chhota Khayal with self-created Aalap and Taan in at least 6 Ragas along with SwaraVistar,
- Sing a Tarana in any Raga,
- Create Alankar patterns in different Ragas and sing them,
- Compose and sing a Swar Maalika and a Tarana,
- Recite Teentaal, Dadra, Rupak and Jhaptaal
- Sing a Bhajan
Overview:
In this course HV109 the student revisits and reviews Ragas learned earlier, works on the Raga roop and Swar Vistar with attention to developing the ability of switching Ragas. The create their own composition of a medley of about 4 Ragas, with the …
Topics covered:
- Raga Bhairav Introduction
- Raga Bhairav Chhota Khayal
- Raga Durga Tarana
- Raga Khamaj Reviw
- Brindavani Sarang review
- Thaat system
- Composition of Raga Medley
Hindustani Vocal 110
The student should have completed HV109 from the academy OR
The student should be able to:
- Perform Chhota Khayal with self-created Aalap and Taan in at least 8 Ragas along with SwaraVistar,
- Sing a Tarana in any Raga,
- Create Alankar patterns in different Ragas and sing them,
- Compose and sing a Swar Maalika and a Tarana,
- Recite Teentaal, Dadra, Rupak and Jhaptaal
- Sing a Bhajan
Overview:
The course HV110 is the concluding course of the Beginners Level, before the Re level certification course. The student is introduced to Raga Bhimpalasi and reviews Ragas learnt until now. Ragas Kafi and Des are revised in detail along with th…
Topics covered:
- Raga Bhimpalasi Chhota Khayal
- Raga Hamsadhwani
- Raga Prakriti
- Review of Ragas
Re Certification Exam – Hindustani Vocal
The student has completed HV108 at the academy and completed the Sa level.
Overview:
This course provides the reference material for the second level examination at the academy, the Re level. With the introduction of the concepts of Swar Vistar, the understanding of each Raga is more clear. Along with the Pakad the student has aware…
Topics covered:
- Raga Durga Jhaptaal
- Bhupali Dhrupad and Trivat
- Brindavani Sarang
- Khamaj
- Yaman
- Des
- Kafi
- Alhaiya Bilaval
- Bhimpalasi
- Bhairav
- Taal Thekas
Hindustani Vocal 201
Prerequisites:
The student should have completed HV110 with honours or high honours, at the academy and complete the Re level examination with honours or high honours OR The student should have at least 2.5 years of learning experience with an ability to sing a simple Swara Vistar,Chhota Khayal with self composed Aalap, Taan in at least eight Ragas. The student should be able to sing a Dhrupad composition with Dugun and a Tarana. The student should have the ability to compose a simple Sargam Geet in any of the Ragas learnt. The students who wish to join this level directly need to submit the prerequisite assessment assigned by the academy on enrolment
Overview:
With the initiation into singing the Bada Khayal Bandish, the student enters the Intermediate level of learning. The Vilambit Laya forms the framework of the Bada Khayal. Practice of holding this slow Laya is given importance here in order to lay a …
Topics covered:
- Tanpura
- Bada Khayal Gayaki
- Laya and Taal in Bada Khayal
- BadaKhayal in Raga Yaman.
- Shrutis and Swaras
- Gamak
- Raga Malkauns
Hindustani Vocal 202
Prerequisites:
The student should have completed HV201 at the academy OR The student should have above two years of learning experience with an ability to sing a simple Swara Vistar,Chhota Khayal with self composed Aalap, Taan in at least eight Ragas. The student should be able to sing a Dhrupad composition with Dugun, Tarana. The student should have the ability to compose a simple Sargam Geet and a Tarana in any of the Ragas learnt. Students who wish to join this level directly need to submit the prerequisite assessment assigned by the academy on enrolment
Overview:
The singing of Bada Khayal is reinforced with the introduction of Aalap within the Bandish in Vilambit Ektaal. Raga Asavari and Raga Kedar are chosen for a detailed learning of Raga characteristics and Chhota khayal singing. Raga Malkauns is revisit…
Topics covered:
- Bada Khayal in Yaman -Aalap
- Raga Asavari
- Raga Kedar
- Khayal Composers
- Raga Characteristics-Review
- Thaat and Ragas
- Raga Malkauns-Review
- Revisiting Old Ragas
Hindustani Vocal 203
Prerequisites:
The student should have completed HV202 at the academy OR The student should have above two years of learning experience with an ability to sing a simple Swara Vistar,Chhota Khayal with self composed Aalap, Taan in at least ten Ragas and Bada Khayal with basic Aalap in Yaman. The student should be able to sing a Dhrupad composition with Dugun and Tarana with improvisation. The student should have the ability to compose a simple Sargam Geet and a Tarana in any of the Ragas learnt. Students who wish to join this level directly need to submit the prerequisite assessment assigned by the academy on enrolment
Overview:
The Bada Khayal learning is in Raga Bhupali. While singing the slow Aalap with the Bada Khayal there is a deeper understanding of the Raga characteristics. Bhupali Chhota Khayal is sung with improvisation. The improvisation here will be done with a …
Topics covered:
- Bada Khayal in Bhupali
- Raga Bhairavi
- Raga Bihag
- Two streams of Indian Classical Music
- Ancient Texts and Ragas
- Teentaal, Dugun, Tigun, Chougun
Hindustani Vocal 204
Prerequisites:
The student should have completed HV203 at the academy OR The student should have about three years of learning experience, with an ability to sing a simple Swara Vistar,Chhota Khayal with self composed Aalap, Taan in at least ten Ragas. The student should be able to sing a Dhrupad composition with Dugun, Tarana with improvisation. The student should have the ability to compose a simple Sargam Geet in any of the Ragas learnt. The student should be able to sing Bada Khayal with basic Aalap in Yaman. Students who wish to join this level directly need to submit the prerequisite assessment assigned by the academy on enrolment
Overview:
The singing of Bada Khayal in Bhupali is reinforced with the Aalap within the Bandish in Vilambit Ektaal. The Trivat in Bhupali is sung with rhythmic improvisation concepts. Raga Bhimpalasi Chhota Khayal is revisited with extempore Aalap. Dhrupad co…
Topics covered:
- Bhupali BadaKhayal Aalap
- Bhupali Trivat and Chhota Khayal review
- Raga Bhimpalasi Chhota Khayal
- Dhrupad in Bhimpalasi
- Ancient texts and Ragas Characteristics.
- Raga Bageshri
Hindustani Vocal 205
The student should have completed HV204 at the academy OR The student should have three years of learning experience, with an ability to sing a Swara Vistar,Chhota Khayal with self composed Aalap, Taan in at least twelve Ragas. The student should be able to sing a Dhrupad composition with Dugun and Tarana. The student should have the ability to compose a simple Sargam Geet and a Tarana in any of the Ragas learnt. The student should be able to develop Aalap and sing Bada Khayal in Yaman and Bhupali. Students who wish to join this level directly need to submit the prerequisite assessment assigned by the academy on enrolment
Overview:
The student at this level has developed a good sense of Vilambit Laya. The third Vilambit Khayal is learnt in the early morning melody Raga Bhairav. The Swar Vistar and Badhat within the Vilambit Khayal are done with the awareness of the nuances of …
Topics covered:
- Raga Bhairav Bada Khayal
- Bhairav Characteristics and Chhota Khayal review
- Raga Tilak Kamod Chhota Khayal
- Tilak Kamod Jhaptaal Composition
- Dugun in Jhaptaal
- Swar lipi Paddhatis
- Revisit Asavari
Ga Certification Exam – Hindustani Vocal
The student has completed HV205 at the academy. The student completed Sa and Re level examinations.
Overview:
Ga is the level that reviews courses HV201 to HV205 and assesses the progress of the student. This course helps the student to prepare for this level examination by giving the necessary guidelines. The course includes Ragas Yaman and Bhupali B…
Topics covered:
- Ragas to be performed
- Theoretical studies
Hindustani Vocal 206
Prerequisites:
The student should have completed HV205 at the academy OR The student should have the ability to sing a Swara Vistar, Chhota Khayal with self composed Aalap, Taan in at least twelve Ragas. The student should be able to sing a Dhrupad composition with Dugun and Tarana with improvisation. The student should have the ability to compose a simple Sargam Geet in any of the Ragas learnt. The student should be able to sing Bada Khayal in any two of Ragas Yaman, Bhairav, Bhupali. Students who wish to join this level directly need to submit the prerequisite assessment assigned by the academy on enrolment
Overview:
In this course Raga Bageshri is studied. A Dhamar composition is introduced in Raga Bageshri and the Chhota Khayal is revisited. The relationship between Dhrupad and Dhamar is highlighted. Exploring the Bhakti Ras a Bhajan is learnt in Raga Tilang. …
Topics covered:
- Swami Haridas and disciples
- Dhamar and Dhrupad
- Raga Bageshri
- Raga Bageshri Tarana
- Raga Tilang
- Bhajan in Tilang
- Classification of Light and Classical Music
- Raga Marva
- Shrui Swar Vibhajan
Hindustani Vocal 207
The student should have completed HV206 at the academy OR The student should have above three years of learning experience, with an ability to sing a Swara Vistar, Chhota Khayal with self composed Aalap, Taan in at least twelve Ragas. The student should be able to sing a Dhrupad composition with Dugun with Dugun Tigun Chougun and Tarana with improvisation. The student should have the ability to compose a simple Sargam Geet and a Tarana in any of the Ragas learnt. The student should be able to develop Aalap within the Bada Khayal in Rags Yaman, Bhupali and Bhairav. Students who wish to join this level directly need to submit the prerequisite assessment assigned by the academy on enrolment
Overview:
In this course we develop the understanding of three Ashraya Ragas: Marva, Kalyan and Bhairavi. Raga Marva is studied in greater detail. A Tarana is learnt in Marva, while reinforcing the placement of the notes in Marva, and the factors that differe…
Topics covered:
- Naad, the Physics of Sound
- Raga Marva
- Raga Bhairavi
- Raga Patdeep
- Playing styles- Gayaki and Tantrakari
- Raga Yaman Bada Khayal with development
- Taal Roopak
Hindustani Vocal 208
Prerequisites:
The student should have completed HV207 at the academy OR The student should have about four years of learning experience, with an ability to sing a Swara Vistar, Chhota Khayal with self composed Aalap, Taan in at least fourteen Ragas. The student should be able to sing a Dhrupad composition with Dugun and Tarana. The student should have the ability to compose a simple Sargam Geet and a Tarana in any of the Ragas learnt. The student should be able to develop Aalap and sing Bada Khayal in Yaman, Bhupali and Bhairav. The student shouls be able to sing Taan with at least one of the Bada Khayals. Students who wish to join this level directly need to submit the prerequisite assessment assigned by the academy on enrolment
Overview:
This course introduces the Vilambit Teentaal with the Bada Khayal in Bihag set to this slow paced 16 beat cycle. A Dhrupad in Bihag follows this. Raga Jaunpuri Chhota Khayal Bandish is learnt with a reference to how this Raga differs from Asavari th…
Topics covered:
- Raga Bihag Bada Khayal
- Raga Tilak Kamod and Des
- Raga Jaunpuri
- Gharana System
- Taal Roopak Dugun
Hindustani Vocal 209
Prerequisites:
The student should have completed HV208 at the academy OR The student should have above five years of learning experience, with an ability to sing a Swara Vistar, Chhota Khayal with self composed Aalap, Taan in at least fourteen Ragas. The student should be able to sing a Dhrupad composition with Dugun, Tigun, Chougun and Tarana with improvisation. The student should have the ability to compose a simple Sargam Geet and a Tarana in any of the Ragas learnt. The student should be able to develop Aalap and Bol Aalap within the structure of the Bada Khayals in Ragas Bhupali, Yaman, Bhairav and Bihag, Layakari and Taan in Bada Khayal in at least one Bada Khayal. Students who wish to join this level directly need to submit the prerequisite assessment assigned by the academy on enrolment
Overview:
Bada Khayal in Bhairav is revisited. Three Chhota Khayal compositions in Bhairav are in Teentaal, Ektaal and Jhaptaal. These compositions are sung with improvised Aalap and Taan. Raga Shankara comes in with its cascading Swara movements. The Chhota …
Topics covered:
- Bhairav Bada Khayal Review
- Bhairav Jhaptaal -Allah ho Allah
- Raga Bhairav Jago Brija
- Taan Ke Prakar
- Ektaal in Dugun, Tigun and Chougun
- Raga Shankara
- Raga Kalavati Chhota Khayal
- Gamak Ke Prakar
Hindustani Vocal 210
Prerequisites:
The student should have completed HV209 at the academy OR The student should have above five years of learning experience, with an ability to sing a Swara Vistar, Chhota Khayal with self composed Aalap, Taan in at least fifteen Ragas. The student should be able to sing a Dhrupad composition with Dugun, Chougun and Tarana with improvisation. The student should have the ability to compose a simple Sargam Geet and a Tarana in any of the Ragas learnt. The student should be able to sing Bada Khayals in at least 2 Ragas with Aalap, Bol Aalap, Layakari concepts like Bol Taan and Taan. The Ragas for Bada Khayal are Yaman, Bhupali, Bhairav and Bihag. Students who wish to join this level directly need to submit the prerequisite assessment assigned by the academy on enrolment.
Overview:
At this point the learner has developed intense listening skills in both Sur and Taal. Hence the Ragas learnt earlier are reviewed with a new approach and skill level. Student is encouraged tossing extempore Aalap with different compositions like Ba…
Topics covered:
- Raga Bhupali Characteristics
- Raga Bhupali Compositions
- Raga Bhupali Baga Khayal
- Raga Bhupali Chhota Khayal
- Raga Brindavani Sarang Characteristics
- Raga Brindavani Sarang Khayal
- Raga Brindavani Sarang Tarana
- Raga Khamaj
- History- Margi and Desi Sangeet
- Taal Deepchandi
- Ragas and Rasas
Ma Certification Exam- Hindustani Vocal
Prerequisites:
The student has completed HV210 at the academy. The student completed Sa, Re, Ga level examinations.
Overview:
Ma is the level that reviews courses HV206 to HV210 and assesses the progress of the student. This course helps the student to prepare for this level examination by giving the necessary guidelines. The course includes Ragas Bhairav and Bihag Bada Kh…
Topics covered:
- Ragas to be performed
- Physics of Sound
- Biography
- Dhrupad
Hindustani Vocal 301
Prerequisites:
The student has completed HV210 at the academy OR The student has learnt Chhota Khayal in about fifteen Ragas and is able to present at least 10 Ragas with Swar Vistar Aalap and Taan. The student is able to sing Bada Khayals with Aalap in Yaman, Bairav, Bhupali and Bihag
Overview:
The development of each Raga learnt is detailed and the student is encouraged to sing extempore Swar Vistar and Aalap. Swar Sadhana is done with Aakar, Uukar and Mmkar. Raga Poorvi is the first Raga introduced in this course. The Raga descriptions a…
Topics covered:
- Tanpura
- Thaat and Ragas
- Gamak Ke Prakar
- Raga Purvi
- Raga Hameer
- Raga Tilak Kamod revisit
- Carnatic and Hindustani Ragas
Hindustani Vocal 302
Prerequisites:
The student has completed HV301 at the academy OR The student has learnt Chhota Khayal in about fifteen Ragas and is able to present at least 10 Ragas with Swar Vistar Aalap and Taan. The student is able to sing Bada Khayals with Aalap in Yaman, Bairav, Bhupali and Bihag. The student is able to compose simple Sargam Geet/Tarana in the Ragas learnt.
Overview:
The Raga introduced here is the mellifluous Jaijaivanti. The Ragaang system can be applied to study the Raga Roop with clarity. The student attempts to bring out the different shades of this Raga effectively. Swar Sadhana is done with Aakar, Uukar a…
Topics covered:
- Ragaanga- an Overview
- Raga Ragini System of classification of Ragas
- Raga Jaijaivanti
- Raga Malkauns Bada Khayal
- Raga Bhairavi
Hindustani Vocal 303
Prerequisites:
The student has completed HV302 at the academy OR The student has learnt Chhota Khayal in about eighteen Ragas and is able to present at least 12 Ragas with Swar Vistar Aalap and Taan. The student is able to sing Bada Khayals with Aalap in Yaman, Bhairav, Bhupali,Bihag and Malkauns. The student is able to compose simple Sargam Geet/Tarana in the Ragas learnt.
Overview:
In this course Raga Sohini is taken up for learning. The student has listened to this Raga and seen how Sohini has a different persona as compared to Marva. The study of Raga Chalan is important in this Uttarang Pradhan Raga. The Raga exploration is…
Topics covered:
- Ragaang system and Raga Ragini system
- Raga Sohini
- The Melakarta system in Carnatic Music
- Raga Bhimpalasi Bada Khayal
- Raga Kamod
Hindustani Vocal 304
Prerequisites:
The student has completed HV303 at the academy OR The student has learnt Chhota Khayal in about eighteen Ragas and is able to present at least 12 Ragas with Swar Vistar Aalap and Taan. The student is able to sing Bada Khayals with Aalap in Yaman, Bairav, Bhupali, Malkauns and Bihag. The student is able to compose simple Sargam Geet/Tarana in the Ragas learnt.
Overview:
The seosonal Raga Bahar is a part of this course. This Raga welcomes the arrival of spring with colourful phrases and combinations of Swaras. The Swar Sadhana concepts are reinforced and practiced regularly. The Bada Khayal in Bhimpalasi is further …
Topics covered:
- Vilambit Taals with 16 Matras
- Raga Bahar
- Raga Alhaiya Bilaval
- Raga Bhimpalasi Bada Khayal
- Raga Des
Hindustani Vocal 305
Prerequisites:
The student has completed HV304 at the academy OR The student has learnt Chhota Khayal in about twenty five Ragas and is able to present at least 12 Ragas with Swar Vistar Aalap and Taan. The student is able to sing Bada Khayals with Aalap in Yaman, Bhairav, Bhupali, Bihag and Malkauns. The student is able to compose Sargam Geet/Tarana in the Ragas learnt.
Overview:
The association of Ragas with seasons has been an interesting study to every student of music. Raga Basant is introduced with a Chhota Khayal. Another Raga belonging to the Poorvi family is Paraj. Paraj can be differenciated from Basant with change …
Topics covered:
- Raga Bihag Bada Khayal Review
- Raga Basant Chhota Khayal and Tarana
- Raga Paraj
- Time theory of Ragas
- Raga Durga
- Raga Patadeep Composition in Taal Rupak
Hindustani Vocal 306
Prerequisites:
The student has completed HV305 at the academy OR The student has learnt Chhota Khayal in about twenty seven Ragas and is able to present at least 14 Ragas with Swar Vistar Aalap and Taan. The student is able to sing Bada Khayals with Aalap in Yaman, Bhairav, Bhupali, Bihag, Bhimpalasi and Malkauns. The student is able to compose Sargam Geet/Tarana in the Ragas learnt set to different basic Taals.
Overview:
Raga Todi signifies a myriad of emotions from pathos to ecstacy. The journey with this Raga begins here by introducing a Chhota Khayal. This is elaborated with Aalap and Taan. The Raga expresses itself most beautifuly in the Bada Khayal. In addition…
Topics covered:
- Raga Todi Chhota Khayal- Langar ka Kariya
- Raga Todi Bada Khayal
- Raga Todi Chhota Khayal Saat Suran
- Raga Deshkar
- Raga Vibhas of Marwa Thaat
- Swar Sadhana with Bhairav and Marva Thaat
- Thaat and Ragas
Hindustani Vocal 307
Prerequisites:
The student has completed HV306 at the academy OR the student has learnt Chhota Khayal in about thirty Ragas and is able to present at least 16 Ragas with Swar Vistar Aalap and Taan. The student is able to sing Bada Khayals with Aalap in Yaman, Bhairav, Bhupali, Bihag, Bageshri, Malkauns and one Thumri composition in Des or Khamaj. The student is able to compose Sargam Geet/Tarana in the Ragas learnt set to different basic Taals.
Overview:
Raga Jaunpuri is a Raga which is similar to Asavari in substance. This course starts with Swar Sadhana in Jaunpuri Swaras. The Chhota Khayal in this Raga is reviewed. The essence of this Raga is explored by learning a Bada Khayal with Aalap and Taan…
Topics covered:
- Raga Jaunpuri Bada Khayal
- Raga Jaunpuri Chhota Khayal Review
- Raga Jaunpuri Chaturang
- Raga GaudSarang
- Ten Raga Lakshanas
- 10 Ashraya Ragas
- Raga Bageshri Bada Khayal
Hindustani Vocal 308
Prerequisites:
The student has completed HV307 at the academy OR the student has learnt Chhota Khayal in about thirty five Ragas and is able to present at least 18 Ragas with Swar Vistar Aalap and Taan. The student is able to sing Bada Khayals with Aalap and Taan in Yaman, Bhairav, Bhupali, Bihag, Bageshri, Malkauns and one Thumri composition in Des or Khamaj. The student is able to compose Sargam Geet/Tarana in the Ragas learnt set to different basic Taals.
Overview:
Darbari, as the name suggests is a majestic Raga. The Swar Sadhana includes the practice of Khatkas and meend. Swar Vistar is done with the knowledge of the Raga characteristics. Raga Darbari also called Darbari Kanada is further explored by learnin…
Topics covered:
- Raga Jaijaivanti Bada Khayal
- Raga Jaijaivanti Chhota Khayal
- Raga Darbari Chhota Khayal
- Raga Darbari Bada Khayal
- Ragaang Paddhati
- Margi and Desi Sangeet
Hindustani Vocal 309
Prerequisites:
The student has completed HV308 at the academy OR the student has learnt Chhota Khayal in about thirty five Ragas and is able to present at least 20 Ragas with Swar Vistar Aalap and Taan. The student is able to sing Bada Khayals with Aalap and Taan in Yaman, Bhairav, Bhupali, Bihag, Bageshri, Malkauns, Jaijaivanti Todi and Darbari and one Thumri composition in Des or Khamaj. The student is able to compose Sargam Geet/Tarana in the Ragas learnt set to different basic Taals.
Overview:
Raga Goud Malhar is a beautiful melody, the names indicating that this is sung during the rainy season. The Raga is derived from folk melodies and manifests itself in a unique way in its classical form. Raga Shree is introduced in this course. The S…
Topics covered:
- The concept of Raga
- Raga Goud Malhar Chhota Khayal Khayal
- Raga Shree Chhota Khayal in Teentaal
- Raga Adana Chhota Khayal
- Raga Shankara Chhota Khayal
Hindustani Vocal 310
Prerequisites:
The student has completed HV309 at the academy OR the student has learnt Chhota Khayal in about thirty-five Ragas and is able to present at least 20 Ragas with Swar Vistar Aalap and Taan. The student is able to sing Bada Khayals with Aalap and Taan in Yaman, Bhairav, Bhupali, Bihag, Bageshri, Malkauns, Jaijaivanti, Bhimpalasi and one Thumri composition in Des or Khamaj. The student is able to compose Sargam Geet/Tarana in the Ragas learnt set to different basic Taals.
Overview:
Raga Poorvi is one of the concert favourite evening Ragas. The Bada Khayal is learnt in this course with Aalap Badhat, Bol Aalap and Taan. Singing Swar Vistar, composing and singing various Swara patterns in the Paltas of Poorvi is practised during …
Topics covered:
- NatyaShastra and Sangeet Ratnakar
- Raga Purvi Bada Khayal and Chhota Khayal
- Raga Desi
- Raga Gaud Sarang Bada Khayal
Hindustani Vocal 311
Prerequisites:
The student has completed HV310 at the academy OR the student has learnt Chhota Khayal in about thirty five Ragas and is able to present at least twenty Ragas with Swar Vistar Aalap and Taan. the student is able to sing Bada Khayals with Aalap and Taan.
Overview:
Raga Multani is introduced in this course. Multani is one of the Ragas, which is sung elaborately. Beginning with the Swar Sadhana and Paltas in this Raga, we proceed into the Swar Vistar. This Raga though from Todi Thaat, has a Raga Swaroop of its …
Topics covered:
- Raga Multani Bada Khayal
- Raga ChayaNat Chhota Khayal
- Layakari in Taal
- Raga Bhinna Shadja Chhota Khayal
Hindustani Vocal 312
Prerequisites:
The student has completed HV311 from the academy OR the student has Chhota Khayal in about thirty five Ragas and is able to present at least 20 Ragas with Swar Vistar, Aalap and Taan. The student is able to present 20 Bada Khayals with development. The Bada Khayal includes Ragas Yaman, Bhairav, Bhupali, Bihag, Bageshri, Bhimpalasi, malkauns, Jaijaivanti, Todi and Darbari. The student is able to compose ones own Sargam Geet/Tarana in the Ragas learnt set to various basic Taals.
Overview:
Marva is a Gambhir Raga which paints the picture of the sunset with its contemplative Swaras. The Bada Khayal is sung with a peaceful Aalap Badhat. The Bada Khayal is followed by the Chhota Khayal in Marva. Raga Jog Madhya Laya Khayal and a Ta…
Topics covered:
- Raga Marva Bada Khayal
- Raga Jog
- Raga Jog Tarana
- Review Raga Yaman
- Ancient texts
Hindustani Vocal 313
Prerequisites:
The student has completed HV312 from the academy OR the student has Chhota Khayal in about 35 Ragas and is able to present at least 22 Ragas with Swar Vistar, Aalap and Taan. The student is able to present 22 Bada Khayals with development. The Bada Khayal includes Ragas Yaman, Bhairav, Bhupali, Bihag, Bageshri, Bhimpalasi, Malkauns, Jaijaivanti, Todi and Darbari. The student is able to compose ones own Sargam Geet/Tarana in the Ragas learnt set to various basic Taals.
The students applying for this course need complete the pre requisite assessment.
Overview:
The next Bada Khayal is in Raga Shuddha Kalyan. Shuddh Kalyan is a Raga which captivates your imagination with the beauty of Meend. Beginning with the Swar Sadhana and Paltas in this Raga, we proceed into the Swar Vistar. This Raga has Swaras o…
Topics covered:
- Raga Shudh Kalyan Bada Khayal
- Raga Shudh Kalyan Chhota Khayal
- Raga Ahir Bhairav Bada Khayal
- Raga Ahir Bhairav Chhota Khayal
- Raga Ahir Bhairav – Jhap Taal
Hindustani Vocal 314
Prerequisites:
The student has completed HV313 from the academy OR the student has Chhota Khayal in about 35 Ragas and is able to present at least 22 Ragas with Swar Vistar, Aalap and Taan. The student is able to present 22 Bada Khayals with development. The Bada Khayal includes Ragas Yaman, Bhairav, Bhupali, Bihag, Bageshri, Bhimpalasi, Malkauns, Jaijaivanti, Todi and Darbari. The student is able to compose ones own Sargam Geet/Tarana in the Ragas learnt set to various basic Taals.
The students applying for this course need complete the pre requisite assessment.
Overview:
Madhuvanti is a popular Raga. It is also a concert favourite Raga. A Chhota Khayal and Bada Khayal is learnt in Madhuvanti. The Swara Vistar is sung exploring this beautiful night melody. Raga Kaamod has been introduced earlier. In this course the i…
Topics covered:
- Raga Malkauns Review
- Raga Madhuvanti
- Raga Madhuvanti Bada Khayal
- Raga Kamod Chhota Khayal
- Raga Kamod Bada Khayal- Tore Darbar
- Raga Characteristics -Performance aspects of Ragas
Hindustani Vocal 315
Prerequisites:
The student has completed HV314 from the academy OR the student has Chhota Khayal in about 35 Ragas and is able to present at least 23 Ragas with Swar Vistar, Aalap and Taan. The student is able to present 23 Bada Khayals with development. The Bada Khayal includes Ragas Yaman, Bhairav, Bhupali, Bihag, Bageshri, Bhimpalasi, Malkauns, Jaijaivanti, Todi and Darbari. The student is able to compose ones own Sargam Geet/Tarana in the Ragas learnt set to various basic Taals.
Overview:
This morning Raga keeps you engrossed in its mood by the unique way of singing both the Madhyams and the Komal Dhaivat. Raga Lalit is sung in detail with the Bada Khayal and Chhota Khayal improvisation. The emotions of this Raga are expressed by the…
Topics covered:
- Raga Lalit Bada Khayal
- Raga Lalit Chhota Khayal
- Raga Jog
- Relevance of Thaat system
- Raga Kedar review
Hindustani Vocal 316
Prerequisites:
The student has completed HV315 from the academy OR the student has Chhota Khayal in about 35 Ragas and is able to present at least 25 Ragas with Swar Vistar, Aalap and Taan. The student is able to present 25 Bada Khayals with development. The Bada Khayal includes Ragas Yaman, Bhairav, Bhupali, Bihag, Bageshri, Bhimpalasi, Malkauns, Jaijaivanti, Todi and Darbari. The student is able to compose ones own Sargam Geet/Tarana in the Ragas learnt set to various basic Taals.
Overview:
Raga Puriya Dhanashri is a concert favourite Raga. This Raga has got the depth of emotions, yet has a Raga Roop which is not complex. This Raga which can be sung in all three Saptaks is studied by ltaking a Bada Khayal as well as a Chhota Khayal in …
Topics covered:
- Raga Shuddha Sarang
- Raga Puriya Dhanashri Chhota Khayal
- Raga Puriya Dhanashri Bada Khayal
- Raga Madhukauns Chhota Khayal
- Principles of Raga formation
Prerequisites:
The student has completed HV305 at the academy. The student completed Sa, Re, Ga, Ma level examinations.
Overview:
Pa is the level that reviews courses HV301 to HV305 and assesses the progress of the student. This course helps the student to prepare for this level examination by giving the necessary guidelines. The course includes Ragas Malkauns, Bhimpalasi, Bih…
Topics covered:
- Ragas to be performed
- Bhajan
- Music Theory
Dha certification Exam 1- Hindustani Vocal
Prerequisites:
The student has completed HV310 at the academy. The student completed Sa, Re, Ga, Ma,Pa level examinations.
Overview:
Dha- Part 1 is the level that reviews courses HV306 to HV310 and assesses the progress of the student. This course helps the student to prepare for this level examination by giving the necessary guidelines. The course includes Ragas Todi, Jaunpuri, …
Topics covered:
- Music Theory
- Ragas to be performed
- Upa Shastriya Sangit – Composition
Dha certification Exam 2- Hindustani Vocal
Prerequisites:
The student has completed HV310 at the academy. The student completed Sa, Re, Ga, Ma,Pa and Dha1 level examinations.
Overview:
Dha- Part 2 is the level that reviews courses HV311 to HV316 and assesses the progress of the student. This course helps the student to prepare for this level examination by giving the necessary guidelines. The course includes Ragas Multani, Marva, …
Topics covered:
- Ragas to be performed
- Music Theory
Hindustani Vocal 401
Prerequisites:
The student has completed HV316 at the academy OR the students who have completed about 8 years of learning. The students need to fulfill the prerequisites set by the acdemy.
Overview:
For a Masters course, content mastery will be approached with a big picture idea. Each course will have a set of Ragas, selected on the basis of a general principle. It is expected that the student analyses the principle and hypothesizes on the link…
Topics covered:
- Raga Shuddh Sarang
- Raga Jog
- Raga Marubihag
- Bhajan poetry for composition
- Sarang family Ragas
- Swaras and Rasas
Hindustani Vocal 402
Prerequisites:
The student has completed HV401 at the academy OR the student has learnt Hindustani Vocal for above 8 years. The student needs to fulfill the pre requisites set by the academy.
Overview:
This course will deal with three varieties of Malhar, the Raga family associated with the life giving season in India, the monsoons. Raga in this family is Miya ki Malhar and is attributed to Miya Tansen. In addition, this course will contain Goud M…
Topics covered:
- Malhar ke Prakar
- Miyan malhar
- Gaud Malhar
- Sur Malhar
- Origin and evolution of Dhrupad style of Aalap
- Rasas associated with Swaras
Hindustani Vocal 403
Prerequisites:
The student has completed HV402 at the academy OR the student has learnt Hindustani Vocal for 8.5 years. The student needs to fulfill the pre requisites set by the academy.
Overview:
Three Ragas chosen for this course are evocative of seasons. Megh Malhar is sung during the Monsoon, Hemant in winter and Bahar in spring. The texts of Bandhishes in these Ragas as well as their Swara combinations will be explored in the light of th…
Topics covered:
- Raga Megh Malhar
- Hemant
- Raga Ramdasi Malhar
- Raga Jayant Malhar
- The Sarang Ang Ragas
- Review Gamak Ke Prakar
- Different Gharanas and approaches
Hindustani Vocal 404
Prerequisites:
The student has completed HV403 at the academy OR the student has learnt Hindustani Vocal for above 8.5 years. The student needs to fulfill the pre requisites set by the academy.
Overview:
We now move into a selection of morning Ragas, all with nuances and characteristics that a student at this level should be able to grasp: Gurjari Todi, which is very similar to Miya Ki Todi that the student has learnt earlier, except that it has no …
Topics covered:
- Gurjari Todi
- Bilaskhani Todi
- Bhupal Todi
- Komal Rishabh Asavari
- Review of Time theory of Ragas
- Grama
- Moorchana
Hindustani Vocal 405
Prerequisites:
The student has completed HV404 at the academy OR the student has learnt Hindustani Vocal for at least 9 years. The student needs to fulfill the pre requisites set by the academy.
Overview:
The Ragas chosen for this course are variants of one parent Raga – Bilaval. With the addition of shades of other Ragas, new personalities have emerged in the forms of Ragas Devgiri Bilaval, Kukubh Bilaval, Yamani Bilaval . In this course you w…
Topics covered:
- Alhaiya Bilaval
- Devgiri Bilaval
- Yamani Bilaval
- Kakubh Bilaval
- Shuddh Swar Saptak
- Shrutis
- Revisit Ragas Shuddh Kalyan and Jaijaivanti
Hindustani Vocal 406
Prerequisites:
The student has completed HV405 at the academy OR the student has learnt Hindustani Vocal for above 9 years. The student needs to fulfill the pre requisites set by the academy.
Overview:
The three Ragas chosen for this course Puriya Kalyan, Shyam Kalyan and Gorakh Kalyan, all have the title of Kalyan, but whereas the first two are combinations (Jod) of two Ragaangas to yield a variety of the parent Raga Kalyan. The study of how Puri…
Topics covered:
- Pooriya Kalyan
- Shyam Kalyan
- Gorakh Kalyan
- Raag Nand
- Kalyan Ke Prakar
- Shuddh and Chhayalag Ragas
Hindustani Vocal 407
Prerequisites:
The student has completed HV406 at the academy OR the student has learnt Hindustani Vocal for at least 9.5 years. The student needs to fulfill the pre requisites set by the academy.
Overview:
The four Ragas, Desi, Bhatiyar, Ahir Bhairav and Vibhas are all morning Ragas and will be studied in the context of their distinctive features. Desi and Bhatiyar are both Vakra Ragas, their characteristic movement has twisted ascending and descendin…
Topics covered:
- Raga Desi
- Raga Ahir Bhairav
- Raga Vibhas
- Raga Bhatiyar
- Bhairav ke Prakar
- Classification of Ragas, analysis
Hindustani Vocal 408
Prerequisites:
The student has completed HV407 at the academy OR the student has learnt Hindustani Vocal for above 9.5 years. The student needs to fulfill the pre requisites set by the academy.
Overview:
The three Ragas being explored in this course range from having six notes (Puriya) to five (Chandrakauns) and then four with a touch of the fifth to make it to the compulsory number to form a Raga (Hindol). In addition, this study will involve the u…
Topics covered:
- Pooriya
- Chandrakauns
- Hindol
- Nat Bhairav
- Principles of Raga formulation
- Raga formulation in Carnatic Music
Hindustani Vocal 409
Prerequisites:
The student has completed HV408 at the academy OR the student has learnt Hindustani Vocal for at least 10 years. The student needs to fulfill the pre requisites set by the academy.
Overview:
The three Ragas in this course, Nayaki Kanada, Kalavati and Madhuvanti will not just be explored with their distinctive characteristics in mind, the concept of Taals and Bandhishes will also be researched deeply through these Ragas. Nayaki Kanada, w…
Topics covered:
- Nayaki Kanada
- Kalavati
- Madhuvanti
- Principles of Laya and Taal
- Taal Concepts in Carnatic Music
- Kanada ke Prakar
Prerequisites:
The student needs to have completed HV110 at the academy OR the student needs to have the following skills- Alankar singing in different rhythm patterns.Ability to distiguish and sing Shudh, Komal and Tivra Swaras.Good sense of Laya and Taal. Student has learnt Chhota Khayal in at least 10 Ragas including Yaman with basic improvisattion.
Overview:
This course , the first in the Raga Deep Dive provides an insight into Raga Yaman. Hindusthani classical music, the Ragdhari Sangeet is the music of improvisation within the perview of the Raga. Singing a Raga is much more than just making permutati…
Topics covered:
- Shudh Swaras
- Swara Patterns in Raga Yaman
- Swara Vistar
- Chhota Khayal
- Sur and Taal
- Bada Khayal
- Tarana
- Popular Yaman
Hindustani Vocal Meera Bhajan HVC110
Prerequisites:
The student has completed HV104 at the academy OR has learnt the basics of Hindustani classical Music for at least 1.5 years.
Overview:
Meerabai is one of the most loved and adored saint poets of the Bhakti stream which richly contributed to the music and literature of India. She wrote songs in praise of Lord Krishna This course has three Meera Bhajans, based on Ragas Yaman, Bh…
Topics covered:
- Meera
- Mharo Pranam
- Jhoolat Radha
- Ya Mohan ke
- Bhajan Taal
- Mai Saware
Raga Shree – an in-depth study HV920
Prerequisites:
The student has completed HV308 at the academy OR the student has learnt Chhota Khayal in about 25 Ragas with Swar Vistar, Aalap and Taan. The student is able to sing Bada Khayals with Aalap and Taan in Yaman, Bhairav, Bhupali, Bihag, Bageshri, Malkauns, Jaijaivanti, Bhimpalasi, Todi, Darbari
Overview:
The Raga deep dive courses are aimed at internalising Raga concepts. Raga Shree leaves a student with no option but deep dive. This Raga can be identified distinctly, the unique melody takes shape not just by the Swara Samoohas but the Shrutis or mi…
Topics covered:
- Raga Characteristics of Shree
- Raga Vistar in Shree
- Chhota Khayal in Shree
- Bada Khayal in Shree
- Shree Ragaang
Raga Puriya Dhanashri – an in-depth study HV919
Prerequisites:
The student has completed HV308 at the academy OR the student has learnt Chhota Khayal in about 25 Ragas with Swar Vistar, Aalap and Taan. The student is able to sing Bada Khayals with Aalap and Taan in Yaman, Bhairav, Bhupali, Bihag, Bageshri, Malkauns, Jaijaivanti, Bhimpalasi, Todi, Darbari
Overview:
The Raga deep dive courses are aimed at internalising Raga concepts. In this Raga Deep dive course the popular Raga Puriya Dhanashri is explored. Raga Puriya Dhanashri is a beautiful evening Raga, which has got immense appeal with the seemingl…
Topics covered:
- Raga Characteristics of Puriya Dhanashri
- Raga Vistar in Puriya Dhanashri
- Chhota Khayal in Puriya Dhanashri
- Bada Khayal in Puriya Dhanashri
- Tarana in Puriya Dhanashri
Raga Bhupali -an in-depth study HV902
Prerequisites:
The student has completed HV203 at the academy OR the student has practiced a variety of Alankars, the student has learnt Chhota Khayal in about 10 Ragas with Swar Vistar, Aalap and Taan.
Overview:
The Raga deep dive courses are aimed at internalising Raga concepts. Bhupali also known as Raga Bhup is one of the first Ragas to be introduced to a student of classical music. The Raga can take the listener into flights of imagination with just fiv…
Topics covered:
- Raga Characteristics of Bhupali
- Raga Vistar in Bhupali
- Bhupali Tarana
- Chhota Khayal in Bhupali
- Bada Khayal in Bhupali
- Ragas similar to Bhupali
Raga Todi -an in-depth study HV914
Prerequisites:
The student has completed HV304 at the academy OR the student has learnt Chhota Khayal in about 20 Ragas with Swar Vistar, Aalap and Taan. The student is able to sing Bada Khayals with Aalap and Taan in any 4 of the following Ragas- Yaman, Bhairav, Bhupali, Bihag, Bageshri, Malkauns, Bhimpalasi
Overview:
The Raga deep dive courses are aimed at internalising Raga concepts. In this Raga Deepdive course Raga Todi is explored. Todi is a concert favourite morning Raga. Perfect Sur in the notes of this Raga can be achieved by complete focus and Swar Sadha…
Topics covered:
- Raga Characteristics of Todi
- Raga Vistar in Todi
- Raga Todi Chhota Khayal
- Raga Todi Bada Khayal
Raga Ahir Bhairav- an in-depth study HV913
Prerequisites:
The student has completed HV310 at the academy OR the student has learnt Chhota Khayal and BadaKhayal with improvisation in about 20 Ragas with Swar Vistar, Aalap and Taan. The Bada Khayal includes the following Ragas- Yaman, Bhairav, Bhupali, Bihag, Bageshri, Malkauns, Bhimpalasi
Overview:
The Raga deep dive courses are aimed at internalising Raga concepts. In this Raga Deepdive course the concert favourite and attractive morning Raga Ahir Bhairav is chosen for exploration. This is a Raga that unfolds with many hues. There is an ele…
Topics covered:
- Ahir Bhairav Introduction
- Ahir Bhairav Bada Khayal
- Ahir Bhairav Chhota Khayal
- Ahir Bhairav- Jhaptaal Madhya Laya Khayal
- Composition
Hindustani Vocal Thumri 1
Prerequisites:
The student needs to have completed HV207.
Overview:
Thumri forms the main compositional form that is identifed with the genre of ‘Upa Shastriya Sangit’ or allied form of Hindustani classical music. Under the umrella of Thhumri compositional forms like Dadra, Kajri, Chaiti, Hori are included. Thumri h…
Topics covered:
- Swar Sadhana
- Jamuna kinare
- Kajri- Barasan laagi
- Kajri- Badra re Tu
- Dadra- Shyam Sundar
Natya Sangeet 1- Ghei Chand
Prerequisites:
The student needs to have learnt music to a level equivalent to HV203 of the academy.
Overview:
The Natya Geet tradition of Maharashtra and Karnataka has applied classical music to bring an evocativeness into the dramatic art. The story, the emotions, the acting and the music are all in continuous interplay, each heightening the effect of the …
Topics covered:
- Ghei Chand 1
- Ghei Chand 2
Hindustani Vocal Thumri 2
Prerequisites:
The student needs to have completed HV304.
Overview:
Thumri forms the main compositional form that is identifed with the genre of ‘Upa Shastriya Sangit’ or allied form of Hindustani classical music. Under the umrella of Thhumri compositional forms like Dadra, Kajri, Chaiti, Hori are included. Thumri h…
Topics covered:
- Hori Khelat
- Rangi Saari
- Jab se Shyam Sidhare
Raga Madhuvanti- an in-depth study HV916
Prerequisites:
The student has completed HV310 at the academy OR the student has learnt Chhota Khayal and BadaKhayal with improvisation in about 20 Ragas with Swar Vistar, Aalap and Taan. The Bada Khayal includes the following Ragas- Yaman, Bhairav, Bhupali, Bihag, Bageshri, Malkauns, Bhimpalasi
Overview:
The Raga deep dive courses are aimed at internalising Raga concepts. This course takes up the beautiful Raga Madhuvanti, that gained popularity on the consert stage during modern times. This Raga is also known as Ambika, befittingly adressed as a Ra…
Topics covered:
- Raga Characteristics of Madhuvanti
- Raga Vistar Madhuvanti
- Bada Khayal in Madhuvanti
- Chhota Khayal in Madhuvanti
Raga Bageshri -an in-depth study HV908
Prerequisites:
The student needs to complete the course HV204 at the academy OR the student needs to have the following skills- Alankar singing in different rhythm patterns. Ability to distiguish and sing Shudh, Komal and Tivra Swaras. Good sense of Laya and Taal. Student has learnt and practiced Chhota Khayal in at least 12 Ragas
Overview:
This course in the Raga Deep Dive series, provides an insight into Raga Bageshri. Hindusthani classical music, the Ragdari Sangeet is the music of improvisation within the perview of the Raga. Singing a Raga is much more than just making permutation…
Topics covered:
- Raga Characteristics of Bageshri
- Raga Vistar in Bageshri
- Raga Bageshri Chhota Khayal
- Raga Bageshri Bada Khayal
- Raga Bageshri Tarana
Raga Bhupal Todi- an in-depth study HV921
Prerequisites:
The student has completed HV310 at the academy OR the student has learnt Chhota Khayal in about 20 Ragas with Swar Vistar, Aalap and Taan. The student is able to sing Bada Khayals with Aalap and Taan in any 4 of the following Ragas- Yaman, Bhairav, Bhupali, Bihag, Bageshri, Malkauns, Bhimpalasi
Overview:
The Raga deep dive courses are aimed at internalising Raga concepts. In this Raga Deepdive course Raga Bhupal Todi is explored. This is a rare prakar of Todi. Perfect Sur in the notes of this Raga can be achieved by complete focus and Swar Sadhana l…
Topics covered:
- Raga Characteristics of Bhupal Todi
- Raga Vistar in Bhupal Todi
- Raga Bhupal Todi Chhota Khayal
- Raga Bhupal Todi Bada Khayal
- Raga Bhupal Todi Tarana
Raga Brindavani Sarang- an in- depth study HV906
Prerequisites:
The student has completed HV203 at the academy OR the student has practiced a variety of Alankars, the student has learnt Chhota Khayal in about 10 Ragas with Swar Vistar, Aalap and Taan.
Overview:
The Raga deep dive courses are aimed at internalising Raga concepts. Brindavani Sarang also known as Sarang is one of the first few Ragas introduced to a student of classical music. This Raga could be traced back to its folk origins as well as the R…
Topics covered:
- Brindavani Sarang Introduction
- Chhota Khayal in Brindavani Sarang
Raga Bahar- an in- depth study HV912
Prerequisites:
The student has completed HV210 at the academy OR the student has practiced a variety of Alankars, the student has learnt Chhota Khayal in about 15 Ragas with Swar Vistar, Aalap and Taan.
Overview:
The Raga deep dive courses are aimed at internalising Raga concepts. Bahar is a Raga associated with joy brought by the spring season. The structure may seem to consist of complex phrases that demand specific details. The melody is appealing a…
Topics covered:
- Bahar Introduction
- Raga Bahar Chhota Khayal
Raga Basant – an in-depth study HV917
Prerequisites:
The student has completed H305 at the academy OR the student has practiced a variety of Alankars, the student has learnt Chhota Khayal in about 20 Ragas with Swar Vistar, Aalap and Taan.
Overview:
The Raga deep dive courses are aimed at internalising Raga concepts. Basant is a Raga associated with the spring season.This Raga mostly expresses separation from the beloved and description of the season. Theory – Raga characteristics of Basa…
Topics covered:
- Basant Introduction
- Raga Basant Chhota Khayal
Raga Miya Malhar -an in-depth study HV918
Prerequisites:
The student has completed H310 at the academy OR the student has practiced a variety of Alankars, the student has learnt Chhota Khayal in about 25 Ragas with Swar Vistar, Aalap and Taan.
Overview:
The Raga deep dive courses are aimed at internalising Raga concepts. Miyan Malhar also synonymous with Malhar is a popular Raga associated with monsoons. Theory – Raga characteristics of Malhar , Malhar family Ragas
Topics covered:
- Miyan Malhar Introduction
- Miyan Malhar Chhota Khayal Bole re Papihara
Raga Bhimpalasi -an in-depth study HV907
Prerequisites:
The student has completed HV204 at the academy OR the student has learnt Chhota Khayal in about 12 Ragas with Swar Vistar, Aalap and Taan. The student is introduced to Bada Khayal singing with Aalap.
Overview:
The Raga deep dive courses are aimed at internalising Raga concepts. In this Raga Deep dive course Raga Bhimpalasi is explored. This is a Raga that has its charm on the listeners in the form of a melody soaked in devotion, love and longing when…
Topics covered:
- Raga Characteristics of Bhimpalasi
- Bhimpalasi Chhota Khayal
- Bhimpalasi Chhota Khayal Ektaal
- Bhimpalasi Bada Khayal
Raga Bhairav- an in-depth study HV903
Prerequisites:
The student has completed HV205 at the academy OR
the student has learnt Chhota Khayal in about 20 Ragas with Swar Vistar, Aalap and Taan. The student is able to sing Bada Khayals with Aalap and Taan in Ragas- Yaman,Bhupali. The student needs to take the pre requisite assessment in order to take admission to this course.
Overview:
The Raga deep dive courses are aimed at internalising Raga concepts. In this Raga Deepdive course the ancient early morning Raga Bhairav is explored. Bhairav has a simple structure as an outline, but has a Raga roop that is ornamented with Meend, An…
Topics covered:
- Raga Bhairav
- Bhairav Chhota Khayal
- Bhairav Bada Khayal
- Bhairav Chhota Khaayl in Jhaptaal
Hindustani Vocal Kabir Bhajan HVC106
Prerequisites:
The student has completed HV104 at the academy OR the student has learnt Hindustani classical for at least one year.
Overview:
Kabir is the mystic poet who greatly influenced the Bhakti movement and generations to come. His Bhajans represent the Nirguni stream of Bhakti. His poetry is deep in philosophy and simple in language. Kabir inspires a classical musician as well as …
Topics covered:
- Kabir
- Rehena Nahin
- Naam Hari Ka
- Beet Gaye Din
- Taal Dadra
Raga Bihag – an in-depth study HV904
Prerequisites:
The student needs to have completed HV210 at the academy OR the student needs to have the following skills- Alankar singing in different rhythm patterns.Ability to distiguish and sing Shudh, Komal and Tivra Swaras.Good sense of Laya and Taal. Student has learnt Chhota Khayal in at least 12 Ragas .
Overview:
This course , the first in the Raga Deep Dive provides an insight into Raga Bihag. Hindustani classical music, the Ragdhari Sangeet is the music of improvisation within the perview of the Raga. Singing a Raga is much more than just making permutatio…
Topics covered:
Raga Tilak Kamod- an in- depth study HV905
Prerequisites:
The student needs to have completed HV210 at the academy OR the student needs to have the following skills- Alankar singing in different rhythm patterns.Ability to distiguish and sing Shudh, Komal and Tivra Swaras.Good sense of Laya and Taal. Student has learnt Chhota Khayal in at least 12 Ragas
Overview:
This course provides an insight into the lilting and melodious Raga Tilak Kamod. Singing a Raga is much more than just making permutations and combinations with Swaras. It involves a keen sense of understanding the persona that every Raga has. This …
Topics covered:
- Raga Tilak Kamod Introduction
- Raga Tilak Kamod Chhota Khayal- Neer Bharan
- Tilak Kamod Chhota Khayal- Kariye Itna
- Tilak Kamod Vilambit Jhaptaal- Teerath ko
Raga Malkauns- an in-depth study HV909
Prerequisites:
The student needs to complete the course HV204 at the academy OR the student needs to have the following skills- Alankar singing in different rhythm patterns. Ability to distiguish and sing Shudh, Komal and Tivra Swaras. Good sense of Laya and Taal. Student has learnt and practiced Chhota Khayal in at least 12 Ragas
Overview:
This course in the Raga Deep Dive series, provides an insight into Raga Malkauns. Hindusthani classical music, the Ragdari Sangeet is the music of improvisation within the perview of the Raga. Singing a Raga is much more than just making permutation…
Topics covered:
- Raga Malkauns Introduction
- Raga Malkauns Bada Khayal
- Raga Malkauns Chhota Khayal- Nabh Nikas Gayo
Raga Marva -an in-depth study HV911
Prerequisites:
The student has completed HV207 at the academy OR the student has learnt Chhota Khayal in about 12 Ragas with Swar Vistar, Aalap and Taan. The student is able to sing Bada Khayals with Aalap and Taan in any 4 of the following Ragas- Yaman, Bhairav, Bhupali, Bihag, Bageshri, Malkauns, Bhimpalasi
Overview:
Raga Marva is an evening Raga that establishes a strong presence with its characteristic swara combinations. The Raga deep dive course aims at internalising Raga concepts and Raga exploration. Paltas and a variety of Taan patterns are practised to p…
Topics covered:
- Raga Characteristics of Raga Marva
- Raga Marva Chhota Khayal- Teentaal
- Raga Marva Chhota Khayal- Ektaal
- Raga Marva Bada Khayal
Raga Kedar- an in-depth study HV922
Prerequisites:
The student has completed HV310 at the academy OR the student has learnt Chhota Khayal and BadaKhayal with improvisation in about 20 Ragas with Swar Vistar, Aalap and Taan. The Bada Khayal includes the following Ragas- Yaman, Bhairav, Bhupali, Bihag, Bageshri, Malkauns, Bhimpalasi
Overview:
The Raga deep dive courses are aimed at internalising Raga concepts by learning and improvising different types of compositions in a Raga. In this Raga Deep dive course the beautiful melodious Raga Kedar is chosen for study. This is a Raga that evok…
Topics covered:
- Raga Chracteristics of Kedar
- Chhota Khayal in Kedar
- Tarana
- Bada Khayal
Raga Kalavati- an in-depth study HV910
Prerequisites:
The student needs to have completed HV210 at the academy OR the student needs to have the following skills- Alankar singing in different rhythm patterns.Ability to distiguish and sing Shudh, Komal and Tivra Swaras.Good sense of Laya and Taal. Student has learnt Chhota Khayal in at least 12 Ragas
Overview:
The Raga deep dive courses are aimed at internalising Raga concepts by learning and improvising different types of compositions in a Raga. In this Raga Deep dive course the attractive Raga Kalavati is chosen for learning.
Topics covered:
- Raga Chracteristics of Kalavati
- Raga Kalavati Chhota Khayal
- Raga Kalavati Tarana
- Bhajan – Ya Mohan ke